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Category Archive:   nice work!


This identity for NYC optician Silver Lining is just gorgeous. Elegant, sophisticated and the B&W is just so classic. And look how well it translates into a little icon for eyewear. I would love to execute a script-based, hand-lettered kind of logo… just need the right client! Any takers?

Silver Lining logo

Silver Lining logoSilver Lining logo

First seen on Graphic ExchanGE. If anyone knows the designer, I’m happy to credit!

Do you love the Hipstamatic app? I do. And I also love typography. So it’s no coincidence that I’m completely smitten with Jason Hill’s hipstamatic-shot type poster.

jason hill poster

The 16×24 prints are available through Jason’s Etsy shop.

Today I’m loving this sweet illustration by Joyce Hessebelberth. First llamas; now giraffes. Clearly I have a thing for animals with long necks!

giraffe illustration

This print is available at Spur Store.

I don’t do much advertising design, so I don’t comment on it much here. But this ad totally spoke to me. I love a strong concept. And I love the fact that the concept in this ad is so strong that no product shot is needed; no copy is needed… just the company name and you know exactly what the folks are staring at.

wonderbra ad

Ad by Publicis France. Via David Airey.

Every once in a while I like to check out the French Paper sample room to what’s new. Today I was greeted by this particularly fierce kitty. I love that pop of green; so fresh! And the print made me laugh.

Magen unlucky cat print

The print is by Etsy artist Magen, and you can find it (for just $10, I might add) here.

creative review has a nice little feature today on a series of jd salinger book covers designed by seb lester.

It turns out that JD Salinger had some very basic (and strict) rules about how he wanted his book covers to look. He was adamant that the only copy that should appear on his books was his name and the title of the book. No quotes or plot summary, no author biography. And definitely no images. Just the title and his name. “Working with John Hamilton at Hamish Hamilton I developed two possible directions for the covers,” explains Lester of his approach to the commission. “One was relatively conservative and classical in nature [see the version on the left in the rough workings below]. The other [on the right, below] was more specifically American in feel, a mid-twentieth century style script.”

here are two concept-in-progress sketches…

seb lester work in progress

and here are the finished comps…

seb lester comps

oh my goodness, just think of the hours and hours of work that went into that hand lettering. turns out four book covers in total were designed, and the hand-drawn type is now known as “the salinger.”

you can see the finished book covers here.